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Bayley, Amanda and Heyde, Neil (2017) Communicating through notation : Michael Finnissy’s Second String Quartet from composition to performance. Music Performance Research, 8. pp. 80-87. ISSN 1755-9219
Blier-Carruthers, Amy (2015) How I learned to stop worrying and love the studio: a professional and paradigmatic approach to preparing musicians for recording. In: Proceedings of the ORCiM Seminar 2014 : From Output to Impact, The integration of artistic research results into musical training. Orpheus Instituut, Ghent.
Blier-Carruthers, Amy The performer’s place in the process and product of recording. In: Centre for Musical Performance as Creative Practice (CMPCP) Performance Studies Network International Conference, 4-7 April 2013, Cambridge.
Blier-Carruthers, Amy (2013) The studio experience: control and collaboration. In: Proceedings of the International Symposium on Performance Science 2013. European Association of Conservatoires (AEC), Brussels, pp. 694-698. ISBN 9782960137804
Blier-Carruthers, Amy and Kolkowski, Aleks and Miller, Duncan (2015) The art and science of acoustic recording: re-enacting Arthur Nikisch and the Berlin Philharmonic Orchestra’s landmark 1913 recording of Beethoven’s Fifth Symphony. Science Museum Group Journal, 3. ISSN 2054-5770
Callis, Sarah and Heyde, Neil and Kanga, Zubin and Sham, Olivia (2015) Creative resistance as a performance tool. Music + Practice, 2. ISSN 1893-9562
Coorevits, Esther and Moelants, Dirk and Östersjö, Stefan and Gorton, David and Leman, Marc (2016) Decomposing a composition: on the multi-layered analysis of expressive music performance. In: Music, Mind & Embodiment : 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers. Information Systems and Applications, incl. Internet/Web, and HCI (9617). Springer International Publishing, Switzerland. ISBN 9783319462820 (eBook) 9783319462813 (soft cover)
Gorton, David and Östersjö, Stefan (2017) Choose your own adventure music : on the emergence of voice in musical collaboration. Contemporary Music Review. ISSN 0749-4467
Gritten, Anthony (2015) Deferred musical homecomings. Contemporary Music Review, 34 (1). pp. 67-83. ISSN 0749-4467
Gritten, Anthony (2016) Delius, whoever he is. The Delius Society Journal, 160. pp. 61-73. ISSN 0306-0373
Gritten, Anthony (2016) Dispatch from the shores of artistic research. In: ORCiM Seminar, 19-20 Nov 2014, Ghent.
Gritten, Anthony (2014) Empathic listening as a transferable skill. Empirical Musicology Review, 10 (1). pp. 23-29. ISSN 1559-5749
Gritten, Anthony (2010) Resonant listening. Performance Research, 15 (3). pp. 115-122. ISSN 1352-8165
Gritten, Anthony (2015) The subject (of) listening. Journal of the British Society for Phenomenology, 45 (3). pp. 203-219. ISSN 0007-1773
Kanga, Zubin (2017) "Building an instrument" in the collaborative composition and performance of works for piano and live electronics. In: Perspectives on Artistic Research. Lexington Books, Lanham, pp. 103-118. ISBN 9781498544818
Kanga, Zubin (2016) Gesture-technology interactions in contemporary music. Contemporary Music Review, 35 (4-5). pp. 375-378. ISSN 0749-4467
Kanga, Zubin (2017) Through the Silver Screen : the collaborative creation of works for piano and video. Contemporary Music Review, 35 (4-5). pp. 423-449. ISSN 0749-4467
Kanga, Zubin and Schubert, Alexander (2016) Flaws in the body and how we work with them : an interview with composer Alexander Schubert. Contemporary Music Review, 35 (4-5). pp. 535-553. ISSN 0749-4467
Ragge, Melanie New Perspectives from old Manuscripts. New London Chamber Ensemble. (Unpublished)
Shipton, Alyn (2017) Review : Jazz as visual language : film, television and the dissonant image. IASPM@Journal, 7 (2). pp. 51-54. ISSN 2079-3871
Sholl, Robert (2018) Feldenkrais’s Touch, Ephram’s laughter, Gould’s sensorium : listening and musical practice between thinking and doing. Journal of the Royal Musical Association. ISSN 0269-0403 (Submitted)
