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Bayley, Amanda and Heyde, Neil (2017) Communicating through notation : Michael Finnissy’s Second String Quartet from composition to performance. Music Performance Research, 8. pp. 80-87. ISSN 1755-9219
Blier-Carruthers, Amy (2015) How I learned to stop worrying and love the studio: a professional and paradigmatic approach to preparing musicians for recording. In: Proceedings of the ORCiM Seminar 2014 : From Output to Impact, The integration of artistic research results into musical training. Orpheus Instituut, Ghent.
Blier-Carruthers, Amy The performer’s place in the process and product of recording. In: Centre for Musical Performance as Creative Practice (CMPCP) Performance Studies Network International Conference, 4-7 April 2013, Cambridge.
Blier-Carruthers, Amy (2013) The studio experience: control and collaboration. In: Proceedings of the International Symposium on Performance Science 2013. European Association of Conservatoires (AEC), Brussels, pp. 694-698. ISBN 9782960137804
Blier-Carruthers, Amy (2016) The travelling mindset: a method for seeing everything anew. In: Walking Cities : London. Camberwell Press, London, pp. 249-281. ISBN 978-1-908971-49-4
Blier-Carruthers, Amy and Kolkowski, Aleks and Miller, Duncan (2015) The art and science of acoustic recording: re-enacting Arthur Nikisch and the Berlin Philharmonic Orchestra’s landmark 1913 recording of Beethoven’s Fifth Symphony. Science Museum Group Journal, 3. ISSN 2054-5770
Brotherhood, Emilie and Ball, Philip and Camic, Paul M. and West, Julian (2017) Preparatory planning framework for Created Out of Mind: Shaping perceptions of dementia through art and science. Wellcome Open Research, 2 (108). pp. 1-18. ISSN 2398-502X
Callis, Sarah and Heyde, Neil and Kanga, Zubin and Sham, Olivia (2015) Creative resistance as a performance tool. Music + Practice, 2. ISSN 1893-9562
Camic, Paul M. and Crutch, Sebastian J. and Murphy, Charlie and Firth, Nicholas C. and Harding, Emma and Harrison, Charles R. and Howard, Susannah and Strohmaier, Sarah and Van Leewen, Janneke and West, Julian and Windle, Gill and Wray, Selina and Zeilig, Hannah (2018) Conceptualising and Understanding Artistic Creativity in the Dementias: Interdisciplinary Approaches to Research and Practise. Frontiers in Psychology, 9 (1842). ISSN 1664-1078
Clare, Amy and Camic, Paul M. and Crutch, Sebastian J. and West, Julian and Harding, Emma and Brotherhood, Emilie (2019) Using music to develop a multisensory communicative environment for people with late-stage dementia. Gerontologist, The, 169. ISSN 0016-9013
Coorevits, Esther and Moelants, Dirk and Östersjö, Stefan and Gorton, David and Leman, Marc (2016) Decomposing a composition: on the multi-layered analysis of expressive music performance. In: Music, Mind & Embodiment : 11th International Symposium, CMMR 2015, 11-16 Jun 2015, Plymouth, United Kingdom.
Gorton, David and Östersjö, Stefan (2017) Choose your own adventure music : on the emergence of voice in musical collaboration. Contemporary Music Review. ISSN 0749-4467
Gritten, Anthony (2015) Deferred musical homecomings. Contemporary Music Review, 34 (1). pp. 67-83. ISSN 0749-4467
Gritten, Anthony (2016) Delius, whoever he is. The Delius Society Journal, 160. pp. 61-73. ISSN 0306-0373
Gritten, Anthony Dismantling the demands of performing. Music Performance Research. ISSN 1755-9219 (In Press)
Gritten, Anthony (2016) Dispatch from the shores of artistic research. In: ORCiM Seminar, 19-20 Nov 2014, Ghent.
Gritten, Anthony (2014) Empathic listening as a transferable skill. Empirical Musicology Review, 10 (1). pp. 23-29. ISSN 1559-5749
Gritten, Anthony (2010) Resonant listening. Performance Research, 15 (3). pp. 115-122. ISSN 1352-8165
Gritten, Anthony (2015) The subject (of) listening. Journal of the British Society for Phenomenology, 45 (3). pp. 203-219. ISSN 0007-1773
Howat, Roy (2018) Chopin’s Etudes and the new Peters complete Chopin. Piano Journal, 116. pp. 7-9. ISSN 0267-7253
Howat, Roy (2018) Making sense of Chopin’s Etude in E, op10 No.3. Piano Journal, 114. pp. 31-33. ISSN 0267-7253
Kanga, Zubin (2017) "Building an instrument" in the collaborative composition and performance of works for piano and live electronics. In: Perspectives on Artistic Research. Lexington Books, Lanham, pp. 103-118. ISBN 9781498544818
Kanga, Zubin (2016) Gesture-technology interactions in contemporary music. Contemporary Music Review, 35 (4-5). pp. 375-378. ISSN 0749-4467
Kanga, Zubin (2017) Through the Silver Screen : the collaborative creation of works for piano and video. Contemporary Music Review, 35 (4-5). pp. 423-449. ISSN 0749-4467
Kanga, Zubin and Schubert, Alexander (2016) Flaws in the body and how we work with them : an interview with composer Alexander Schubert. Contemporary Music Review, 35 (4-5). pp. 535-553. ISSN 0749-4467
Kilpatrick, Emily (2020) Ravel’s Trois Poemes de Stephane Mallarme : a philosophy of composition. Music and Letters. ISSN 0027-4224
Ragge, Melanie New Perspectives from old Manuscripts. New London Chamber Ensemble. (Unpublished)
Shipton, Alyn (2017) Review : Jazz as visual language : film, television and the dissonant image. IASPM@Journal, 7 (2). pp. 51-54. ISSN 2079-3871
Sholl, Robert (2019) Feldenkrais’s Touch, Ephram’s laughter, Gould’s sensorium : listening and musical practice between thinking and doing. Journal of the Royal Musical Association. ISSN 0269-0403
Sholl, Robert James Sibley Watson’s The Fall of the House of Usher : surrealism – improvisation – complementary serendipities. Perspectives of new music. ISSN 0031-6016 (In Press)