Delius, whoever he is

Gritten, Anthony (2016) Delius, whoever he is. The Delius Society Journal, 160. pp. 61-73. ISSN 0306-0373

Abstract

This essay seeks to situate Delius' Dance for Harpsichord within the evolving contexts of Euro-Modernism and the emergent Neoclassicism, antiquarianism and the historical performance movement, English musical culture, and English literary-philosophical thought in the first decade or so of the twentieth century. Comparisons are made between the early literature on Delius (Heseltine in particular) and writings by Dyson and Clutton-Brock.

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Information
Authors:
Anthony Gritten
Title:
Delius, whoever he is
Date:
September 2016
Subjects:
M Music and Books on Music > ML Literature of music
Publisher:
Delius Society
Keywords:
Delius, Frederick, 1862-1934 - Instrumental music - Keyboard Modernism Neoclassicism Historical performance movement
Journal:
The Delius Society Journal
Volume:
160
Library
URI:
https://presto.ram.ac.uk/id/eprint/28
Item Type:
Article
Depositing User:
Library Library
Date Deposited:
19 Feb 2018 16:38
Revision:
12
Last Modified:
19 Feb 2018 16:38
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