Items where Year is Not Specified

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Blier-Carruthers, Amy From perfection to expression? Exploring possibilities for changing the aesthetics and processes of recording classical music.

Blier-Carruthers, Amy The performer’s place in the process and product of recording. In: Centre for Musical Performance as Creative Practice (CMPCP) Performance Studies Network International Conference, 4-7 April 2013, Cambridge.

Blier-Carruthers, Amy The problem of perfection in classical recording – the performer’s perspective. Musical Quarterly. ISSN 0027-4631 (In Press)

Blier-Carruthers, Amy and Gleeson, David Panel with producers and engineers on ‘the aesthetics of recording classical music’. [Video]

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Gritten, Anthony Dismantling the demands of performing. Music Performance Research. ISSN 1755-9219 (In Press)

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Kilpatrick, Emily “L’art d’évoquer les minutes heureuses” Mélodie and Memory in the Année terrible. Nineteenth-Century French Studies, 50 (3-4). ISSN 0146-7891 (In Press)

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Lee, Hayoung Heidi An Opera about the ‘Progress of Music’: Charles Burney, Domenico Corri’s The Travellers (1806) and the Macartney Embassy to China 1792-94. Cambridge Opera Journal. ISSN 0954-5867 (In Press)

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Ragge, Melanie New Perspectives from old Manuscripts. New London Chamber Ensemble. (Unpublished)

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Sholl, Robert James Sibley Watson’s The Fall of the House of Usher : surrealism – improvisation – complementary serendipities. Perspectives of new music. ISSN 0031-6016 (In Press)