Delius, whoever he is

Gritten, Anthony (2016) Delius, whoever he is. The Delius Society Journal, 160. pp. 61-73. ISSN 0306-0373

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Abstract

This essay seeks to situate Delius' Dance for Harpsichord within the evolving contexts of Euro-Modernism and the emergent Neoclassicism, antiquarianism and the historical performance movement, English musical culture, and English literary-philosophical thought in the first decade or so of the twentieth century. Comparisons are made between the early literature on Delius (Heseltine in particular) and writings by Dyson and Clutton-Brock.

Item Type: Article
Uncontrolled Keywords: Delius, Frederick, 1862-1934 - Instrumental music - Keyboard Modernism Neoclassicism Historical performance movement
Subjects: M Music and Books on Music > ML Literature of music
Depositing User: Library Library
Date Deposited: 19 Feb 2018 16:38
Last Modified: 19 Feb 2018 16:38
URI: http://presto.ram.ac.uk/id/eprint/28

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